BRICK OVEN
NAÏVE INTENTION

Yale School of Architecture
Instructor: Mauricio Pezo, Sofia Von Ellrichshausen, Jose Aragues
Group Member: Hope Chao
Spring, 2023
"The house shelters daydreaming, the house protects the dreamer, the house allows one to dream in peace." 
— Gaston Bachelard


Together with the cave, the bullring, the foundational grid, and many other figures, the brick oven can also be understood as a perfect machine. Since its purpose lies not only in how it is meant to function but also in everything it evokes, its role becomes diffuse, elusive—sometimes abstract, sometimes symbolic.

According to Argentinian writer Ezequiel Martínez Estrada, the brick oven still encapsulates our remote technology in the so-called “New World”: it is a device that produces raw material with raw material—in other words, “nothing new.” Indeed, the brick oven is not architecture (i.e., an artifact designed for inhabitation), yet it serves as a fertile metaphor for an attitude toward architectural production: the architectural project as a conceptual tool to anticipate the future, to foresee the invisible, to construct the inexorable opacity that intensifies human existence.

Rather than a mere material artifact, the brick oven becomes an imaginary detour—a poetic image—inasmuch as it has a familiar presence yet remains unusually conventional, perhaps governed by a normative size that incarnates the human body in every single block.




Acrylic on matboard, 1200 x 1200mm
Acrylic on matboard, 300 x 300mm
Acrylic on matboard, 600 x 600mm
Acrylic on matboard, 600 x 600mm
Physical Model Scale: 1:100
Pencil Sketch, 200 x 200mm


Contact

Bishrelt.solongo@yale.edu
Linkedin
+1 203.676.8207

About

An architect and researcher based in New York and Ulaanbaatar, Mongolia, currently pursuing a Post-Professional Degree at Yale School of Architecture. His research explores traditional building practices and lifestyles to support the long-term sustainability of nomadic heritage.
Drawings

“For me, drawing has always been the most fundamental way of engaging the world, I’m convinced that it is only through drawing that I actually look at things, carefully. The act of drawing makes me conscious of what I’m looking at. If I wasn’t drawing I sense that I would not be seeing.” -Milton Glaser

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